Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.'That's some catch, that Catch-22,' he observed.'It's the best there is,' Doc Daneeka agreed.Yossarian saw it clearly in all its spinning reasonableness. There was an elliptical precision about its perfect pairs of parts that was graceful and shocking, like good modern art, and at times Yossarian wasn't quite sure he saw it at all, just the way he was never quite sure about good modern art or about the flies Orr saw in Appleby's eyes. he had Orr's word to take for Appleby's eyes.
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Yossarian experiences a profound moment of realization as he contemplates the simplicity and complexity of the Catch-22 clause. He acknowledges its intricacies, responding with admiration for what he views as an exceptional representation of absurdity. Doc Daneeka concurs, affirming its significance. This highlights a deeper understanding where Yossarian recognizes the paradox of the situation, which has both clarity and confusion, much like interpreting modern art.
The comparison to modern art underscores Yossarian's struggle to fully grasp the absurdities surrounding him. Just as good modern art can perplex viewers, the Catch-22 paradox leaves Yossarian vacillating between understanding and bewilderment. His reliance on Orr’s perspective about Appleby's eyes illustrates the complexity of perception amidst chaos, emphasizing the theme of subjective reality in the narrative.
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