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Jeff Phillips
_
Turban Tan
Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. "Why is one of your legs fatter than the other?" asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. "You always get your kicks pointing out defects?" retorted The Drippy Man. "Just curious. Never seen anything like it before." "I was raised not to feel shame and hide my legs in baggy pants." "So you flaunt your deformity by wearing short shorts?" "Like you flaunt your pockmarks by not wearing a mask?" Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. "He is quite sensitive," commented The Dry Advisor. "Who is he?" "A fellow who once manipulated the money in your wallet but now curses the fellow who does.
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Walter Isaacson
_
American Sketches: Great
Henry Luce to his Time magazine writers: "Tell the history of our time through the people who make it.
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writing
motivation
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Charles Finch
There are a lot of ways for a novelist to create suspense, but also really only two: one a trick, one an art
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David Morrell
_
The Successful Novelist: A
On every page, confidence fights with self-doubt. Every sentence is an act of faith. Why would anybody want to do it?
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writing
questions
purpose
David Morrell
_
The Successful Novelist: A
If the passage absolutely demands cursing, be moderate. A little of it goes a long way. I've seen beginning writers pepper curse words through sentence after sentence.'If you don't -blanking- get your -blanking-blank-blank- in to this house this -blanking- minute, I'm going to -blank- your -blank- and nail it to the -blanking- door.'Two things happen when I read this junk: I get bored and I get angry. I didn't pick up your book to read garbage. If this is as clever as you can be, I don't want to read your prose. In life if you met someone who spoke like this, you'd want to flee. Then why put this stuff on the page?As near as I can determine, this abomination occurs because a writer is corrupted by the awful -blanking- dialog that movies inflict on us these days. It's also a sign of insecurity. The writer wonders if the dialog is strong enough and decides a lot of -blanking-blank- will do the trick.Someone might object that this kind of dialog is realistic in certain situations--intense scenes involving policemen or soldiers for example. I can only reply that in my research I spend considerable time with policemen and soldiers. Few of them curse any more than a normal person would. This garbage isn't realistic. It merely draws attention to itself and holds back the story. Use it sparingly.
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William Goldman
_
Adventures in the Screen Trade
Writing is finally about one thing: going into a room alone and doing it. Putting words on paper that have never been there in quite that way before. And although you are physically by yourself, the haunting Demon never leaves you, that Demon being the knowledge of your own terrible limitations, your hopeless inadequacy, the impossibility of ever getting it right. No matter how diamond-bright your ideas are dancing in your brain, on paper they are earthbound.
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writing
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William Goldman
_
The Princess Bride
Cynics are simply thwarted romantics.
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life
writing
humor
Harold Bloom
_
The Western Canon: The Books
We are destroying all esthetic standards in the name of social justice.
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writing
literature
Harold Bloom
_
The Western Canon: The Books
One breaks into the canon only by aesthetic strength.
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writing
word-choice
Stephen King
_
On Writing: A Memoir of the
Amateurs sit and wait for inspiration, the rest of us just get up and go to work.
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writing
productivity
Christopher Hitchens
In the same essay, Said {who is reviewing Peter Stansky and William Abrams, co-authors obsessed with the Blair/Orwell distinction} congratulates them on their forceful use of tautology:This is rather extraordinary. Orwell did indeed meet Garrett in Liverpool in 1936, and was highly impressed to find that he knew him already through his pseudonymous writing-under the name Matt Lowe-for John Middleton Murry's Adelphi. As he told his diary
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William Manchester
_
The Last Lion: Winston Spencer
The present is never tidy, or certain, or reasonable, and those who try to make it so once it becomes the past succeed only in making it seem implausible.
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writing
perspective
storytelling
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