There was an uneasiness in doing the Blitzstein play, which had deep anti-capitalist themes. It gave a vivid picture of an industrial tyrant, boss of the fictional "Steeltown," and the fight of Labor against his tyranny. The WPA was already under fire for staging what some people thought were too many labor plays, and there were rumblings in Washington that its funds might be cut. The shoe fell less than three weeks before the June 16, 1937, preview-a sweeping WPA funds cut, followed by a directive prohibiting new openings until the "reorganization" caused by the cuts was implemented. Welles flew to Washington to argue his case. Failing in that, he threatened to open the play himself. The government's response was severe: as Houseman would recall it in his memoir, on June 15 "a dozen uniformed guards took over the building in force. Project members arriving to sign in found their theater sealed and dark. The Cossacks, as they came to be known, guarded the front of the house and the box office; they hovered in the alley outside the dressing rooms with orders to see that no government property was used or removed.
( John Dunning )
[ On the Air: The Encyclopedia ]
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