Her screaming was not nathered and was not a shelter, but rather a real screaming. She was shouting loudly to the point that Thomas was away from her head from her face as if her hearty voice would hople his ear drum. This screaming was not an expression of estrus, as rut is the maximum mobilization of the senses: we monitor the other with great attention and hear its lowest voices. But the shouting of Teresa was otherwise, he wanted to exhaust the senses and prevent it from seeing and hearing. It was the naive idealism of her love that disturbed within her, wanting to abolish all contradictions, abolish the dualism of the soul and body, and even in abolishing time.
In Milan Kundera's "The Unbearable Lightness of Being," Teresa's desperate screaming is portrayed as a powerful and genuine expression of emotion, rather than a mere reaction of distress. Her cries are so intense that they physically push Thomas away, as if they could pierce his eardrum. Unlike simpler expressions of desire or attraction, her scream signifies a deeper turmoil within her, filled with a longing to transcend the complexities of existence.
This intense vocal outpouring reflects Teresa's struggle against the dualities of her experience—mind and body, love and pain, time and permanence. Her naive idealism drives her to seek an ideal state where such contradictions do not exist. In her moment of desperation, she wishes to dissolve these barriers, underscoring the profound conflict between her love and the reality she faces.