As a result, complete reconciliation with the object takes its highest example a world from which stool is exiled, and each one behaves as if the stool does not exist. This aesthetic example is called «Kitch». "Kitch" is a German word that appeared in the mid -nineteenth century, and then spread in all languages. But its use in abundance removed its original metaphysical significance, which is: Kitch in the first place an absolute denial of stools. In the literal sense, as in the metaphorical sense, "Al -Kich", it is aside all that is unacceptable in human existence.
The concept of "Kitch" originates from a German term used in the mid-nineteenth century, which has since been adopted into various languages. It embodies a form of aesthetic that exemplifies the total denial of undesirable aspects of existence, referred to metaphorically as "stools"—symbols of unacceptability. This idea illustrates a tendency where individuals behave as though repugnant realities do not exist, creating a superficial semblance of harmony that lacks genuine reconciliation.
In Milan Kundera's "The Unbearable Lightness of Being," this notion of Kitch emphasizes a rejection of the complexities and imperfections inherent to human life. It stresses a longing for a world purified of discomfort, leading people to overlook or ignore substantial truths. This denial signifies a fundamental disconnect from reality, highlighting how the beauty and artistry can sometimes mask deeper existential issues. The aesthetic becomes a refuge for those who wish to escape the challenges of existence.