In the Kingdom of "Kietch", the answers are given, the answers are given to any new question. This results in the fact that the person who is wondering is the true enemy of "Kietch". The question is like a poor person who tears the drawn fabric for decoration, so it is possible to see what is hiding behind it. This is how Sabina explained to the Tersa the meaning of her paintings: from the front, the blatant lies, and from the back, the truth that it does not realize. However, those who struggle against the Totalitarian regimes rarely can struggle with questions and doubts. They also need their conviction and their simple reality, which is supposed to be understood by the largest possible number of people and to make a team of teams.
In "Kietch," curiosity and questioning are frowned upon; those who seek answers become the enemy of the state. Sabina illustrates this through her artwork, showing how what is presented on the surface can be a façade, concealing deeper truths. Her paintings depict the contrast between misleading appearances and the underlying realities that often go unnoticed. This highlights the tension between the instinct to question and the oppressive environment that discourages such inquiry.
Individuals living under Totalitarian regimes face a dilemma; they cannot afford the luxury of questioning their reality. Instead, they require a strong sense of conviction and a simplified understanding of their circumstances. This desire for clear and uncomplicated truths fosters solidarity among them, enabling collective action against their oppressive conditions. In such regimes, the pursuit of truth can be a perilous path, and many opt for a cohesive narrative to sustain their resilience.