This is the real lies of shock-art: such art insists on its democracy, but this democracy is only for those who can afford it. And many of us, becoming older, suddenly understand that we do not have any more strength and desire to waste ourselves.
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In Nick Hornby's "Songbook," the author explores the concept of shock-art, highlighting its superficial notion of democracy. While it claims to be accessible to everyone, this so-called democracy is often limited to those who can financially support it, leaving many feeling excluded from the art world. This critique showcases the divide between different socio-economic groups when it comes to appreciating and participating in art.
Hornby reflects on the passage of time and the realization that many individuals grow weary of expending their energy on pursuits that do not fulfill them. This sentiment resonates deeply as people mature and reassess what holds true value in their lives, suggesting a shift in priorities that emphasizes authenticity over mere spectacle.
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