A critical faculty is a terrible thing. When I was eleven there were no bad films, just films I didn't want to see, there was no bad food, just Brussels sprouts and cabbage, and there were no bad books - everything I read was great. Then suddenly, I woke up in the morning and all that had changed. How could my sister not hear that David Cassidy was not in the same class as Black Sabbath? Why on EARTH would my English teacher think that 'The History of Mr Polly' was better than 'Ten Little Indians' by Agatha Christie? And from that moment on, enjoyment has been a much more elusive quality.
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In "Fever Pitch," Nick Hornby reflects on the evolution of his critical judgment over time. As a child, he perceived the world through a lens of simple enjoyment, seeing films, food, and books purely as sources of pleasure without categorizing them as "bad." This innocence fostered a singular enthusiasm for all things he encountered, from movies to literature, and he found joy without hesitation.

However, as he grew older, this perspective shifted dramatically. Hornby describes a moment of awakening where he could easily differentiate between the quality of cultural experiences. Suddenly, he grappled with debates about music and literature, recognizing the disparity between artists and works. This newfound critical ability diminished his enjoyment, making it harder to fully appreciate things he once loved. The transition marks a loss of innocence, reflecting the complicated nature of growing up and developing taste.

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February 24, 2025

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