A daughter at home resting up from her husband--who is apparently a head of some sort, one of the Berkeley Street People, a People's Park maker, a drop-out and a cop-out whose aim is to remake the world closer to the heart's desire. I know him, I have seen him a hundred times--his mouth is full of ecology, his mind is full of fumes. He brings his dog to classes, or did when he was attending classes. He eats organically grown vegetables and lives in communes and admires American Indians and takes his pleasure out of tribal ceremonials and loves the Earth and all its natural products. He thinks you can turn the clock back.
The passage describes a daughter who is taking a break from her husband, who is characterized as a radical figure involved with the Berkeley community, striving to reshape society according to his ideals. He is depicted as someone who has adopted a lifestyle centered around ecological consciousness and communal living, reflecting a deep admiration for nature and indigenous cultures. His dedication to these values, however, is presented with a hint of irony, suggesting that his dreams and realities may be disconnected.
The husband, often immersed in discussions of ecology and engaged in symbolic rituals, also exhibits a certain idealism about life and the past. Despite his efforts to embrace a sustainable and communal lifestyle, the narrator seems skeptical about his capacity to truly enact the changes he envisions. This juxtaposition of aspirations and the feasibility of those aspirations hints at the complexities of activism and personal identity in a rapidly changing world.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
