Alex, drunk or sober, made no distinction between the hours of day and night, nor did the operations he knew so well, for there was no night and day where his work was concerned. There was only the flat light of fluorescent tubes in offices that never closed.
In Robert Ludlum's "The Bourne Supremacy," the character Alex demonstrates an unwavering commitment to his work, showing that he is oblivious to the passage of time, whether he is under the influence or not. The concept of night and day fades away in his world, emphasizing the intensity and relentlessness of his operations.
The narrative highlights the artificial nature of his environment, characterized by the cold, constant glow of fluorescent lighting in always-open offices. This setting reflects the psychological toll of his work, where normalcy and routine are disrupted by perpetual activity and demands.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
