The concept of a Narcissus, as described in Milan Kundera's "The Festival of Insignificance," highlights a distinct form of self-obsession. Unlike pride, which leads one to look down on others, the Narcissus seeks validation from others. This character is consumed by the reflections of themselves in the perceptions of those around them, striving to enhance their own image rather than disparaging others. Instead of feeling superior, they cultivate their self-worth through the admiration or opinions of others.

This notion emphasizes the complexity of self-esteem and interpersonal relationships. The Narcissus does not simply love themselves; they are deeply reliant on external acknowledgment to feel complete. By caring for their "mirrors," they engage in an endless pursuit of approval, revealing a fragile self-worth that is tied to societal perceptions. In this light, Kundera challenges traditional views on pride, prompting readers to consider the paradox of being overly concerned with how one is seen by others.