The girls were huge in those ceremony dressed, built around a wire structure. They had pounds and pounds of hair, well arrested, in the head. Drunk, kissing us, or fainting in the chairs, were intended for higher education, husbands, children's education, unhappiness that was hardly perceived - finally, to life.
The girls described in "The Virgin Suicides" by Jeffrey Eugenides are depicted in their elaborate ceremonial dresses, which are supported by a wire framework. Their attire is complemented by an abundance of meticulously styled hair. These girls, caught in a world of youthful exuberance, are seen engaging in drunken antics, sharing kisses, or fainting in their chairs, embodying a moment of carefree innocence.
Yet, beneath this façade of joy lies a more profound narrative. The girls are viewed in the context of their futures, resting on expectations of higher education, marriage, and motherhood. However, there is a sense of looming dissatisfaction and unfulfilled potential, hinting at deeper struggles with their identities and aspirations in life.
