At the small table, sitting very upright, was one of the ugliest old ladies he had ever seen. It was an ugliness of distinction - it fascinated rather than repelled.
This quote from Agatha Christie's Murder on the Orient Express offers a rich exploration of the complexity of perception and the nuanced nature of human appearance. The character described is noted as 'one of the ugliest old ladies,' a straightforward assessment that might usually evoke a negative reaction. However, Christie's phrase 'an ugliness of distinction' complicates this initial judgment, suggesting that her unattractiveness possesses a unique quality that captures interest and curiosity rather than mere disdain. This duality fascinates as it challenges the conventional binary of beauty and ugliness, reminding us that appearances cannot be wholly defined by social aesthetic norms. Furthermore, the phrase 'sitting very upright' evokes a sense of dignity and self-possession which may contribute to the intriguing aura surrounding this character. The quote invites reflection on how individual traits or features that deviate from traditional standards can lead to a more profound and memorable impression, one that commands attention and evokes deeper engagement rather than superficial rejection. Overall, it subtly celebrates the richness of human diversity, encouraging a more empathetic and open-minded approach to observing others beyond superficial judgments. Within the mystery genre context, this description also serves to add texture and depth to characters, emphasizing the complexity hidden beneath appearances.