By then Esthappen and Rahel had learned that the world had other ways of breaking men. They were already familiar with the smell. Sicksweet. Like old roses on a breeze.
In "The God of Small Things," Esthappen and Rahel come to understand the harsh realities of life and the various ways it can diminish a person's spirit. They have been exposed to profound sorrow and recognize the subtleties that accompany such emotional pain. The phrase "sicksweet," evokes a sense of bittersweet nostalgia tied to their experiences, symbolizing the complex emotions they grapple with as they navigate their childhood and the influences of their environment.
This awareness of life's cruelties and the lingering scent of lost beauty reflects the characters' deeper comprehension of their surroundings. The imagery of "old roses on a breeze" captures the essence of both fragility and decay, encapsulating the tragic yet beautiful aspects of their lives. Through this lens, Roy illustrates how moments of innocence are inevitably tainted by the realities they face, shaping their identities and outlooks on life.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
