In "The God of Small Things," Arundhati Roy portrays memory as a complex and almost chaotic woman on a train, insinuating that it can be unpredictable and irrational. She skillfully navigates through a myriad of hidden emotions and experiences, digging out fragments of the past that evoke strong sensations, such as a fleeting glance or the scent of smoke. These seemingly insignificant moments can evoke deep feelings and memories.
However, memory...