In Hilary Mantel's "Bring Up the Bodies," a conversation reveals a playful clash of ambition between Edward Seymour and Thomas Cromwell. Seymour suggests that Cromwell would make a good bishop, which implies a level of respect while simultaneously hinting at Cromwell's power within the church and state. However, Cromwell humorously elevates the banter by declaring that he is worthy of a higher position, the Pope, showcasing his aspirations and the extent of his influence. This exchange reflects the broader themes of ambition and status within the political landscape of Tudor England. Cromwell's character embodies the relentless pursuit of power, often at the cost of traditional roles and hierarchies. The witty repartee not only highlights their rivalry but also encapsulates the dangerous game of politics during that era, where everyone is vying for dominance and position in a volatile environment.

In Hilary Mantel's "Bring Up the Bodies," a conversation reveals a playful clash of ambition between Edward Seymour and Thomas Cromwell. Seymour suggests that Cromwell would make a good bishop, which implies a level of respect while simultaneously hinting at Cromwell's power within the church and state. However, Cromwell humorously elevates the banter by declaring that he is worthy of a higher position, the Pope, showcasing his aspirations and the extent of his influence.

This exchange reflects the broader themes of ambition and status within the political landscape of Tudor England. Cromwell's character embodies the relentless pursuit of power, often at the cost of traditional roles and hierarchies. The witty repartee not only highlights their rivalry but also encapsulates the dangerous game of politics during that era, where everyone is vying for dominance and position in a volatile environment.