- Wait, look at the rain down the hill. Eh, water from the sky to smell tasty, smell of novelty! ... It's fine ... {...} - Hey, guys, look at the water! The rain, whitening, rustling, coming from behind and not from above, by career. He reached the cattle, wrapping it all in Bruma and continuing running beyond. The figures of the oxen seemed to grow in the fog, becoming slender shadows, from repti times, reports, with the splash of the sneezing of the sides. The trampling had a soft tone, running in the bagasse. And there were mugidos. But, Roufenho, the Berrante trumped again, stronger, in front.
The passage describes a vivid scene where the narrator observes the rain falling down a hill, creating an atmosphere filled with freshness and novelty. The rain is portrayed as something beautiful and enjoyable, emphasizing the sensory experience of the water as it makes its presence known through sound and scent. The imagery conjures a peaceful yet lively setting where nature is in full effect.
As the rain progresses, it envelops the cattle, transforming their silhouettes into ghostly figures amidst the mist. The sounds of the animals and their movement through the wet environment create a rich auditory landscape, enhancing the effect of the scene. The reference to the Berrante, a traditional Brazilian musical instrument, adds to the cultural context of the moment, suggesting a connection between nature, rural life, and music.
