Rebecca McNutt's book "Smog City" emphasizes the inherent superiority of film photography over digital methods. The author argues that, despite advancements in technology like lasers and HD pixels, the emotional depth and authenticity of a photograph taken by a person cannot be matched by images produced by machines. This perspective highlights the unique connection between the photographer and their subject, suggesting that human artistry infuses images with meaning that technology simply cannot replicate.

McNutt's viewpoint stresses the value of traditional photography, where the intentions and feelings of the individual shape the outcome. In an age dominated by digital conveniences, she advocates for the irreplaceable qualities of film photography, promoting a return to more genuine forms of art. This argument encourages a deeper appreciation for the craft of photography as a human endeavor that transcends the capabilities of automated processes.