He made the analogy, sometimes, almost bitterly, between Harald's collection of wing-cases and empty ribcages, elephant's feet and Paradise plumes, and Harald's interminably circular book on Design, which rambled on from difficulty to difficulty, from momentarily illuminated clearing to prickling thicket of honest doubt.
In A.S. Byatt's "Angels & Insects," the protagonist draws a poignant comparison between Harald's collection of various natural specimens and the emptiness of life. The analogy underscores a sense of loss and the futility of trying to find meaning through these objects, which reflect a past that can no longer be revived. This melancholic view suggests that despite the beauty of nature, it can also signify emptiness and death.
The narrative further critiques Harald's exhaustive book on Design, which mirrors his struggles with understanding and articulating the complexities of creativity. It highlights the challenges inherent in the creative process, illustrating how thoughts can meander through moments of clarity and confusion. This reflects the often frustrating journey artists face as they navigate their inspirations and doubts in pursuit of meaningful expression.
