He was close now. Way too close. Fuck, Harvath said to himself again. Even with subsonic ammo in his suppressed H&K, the 9mm pistol still made a lot of noise. It would sound even louder this close to the house. Somebody was going to hear it. And whoever did was going to come to investigate. Fuck.
In Brad Thor's "Foreign Agent," the protagonist, Harvath, finds himself in a precarious situation where he feels an acute tension due to his proximity to his target. The mental strain is exacerbated by the realization that even though he is equipped with a suppressed weapon, the noise of his 9mm pistol may still draw unwanted attention. This sense of urgency and heightened awareness reflects his anxiety about the potential consequences of his actions.
Harvath's internal dialogue reveals his frustration and fear of discovery as he recognizes that any sound, no matter how muffled, could alert someone nearby. The stakes are high, and he is acutely aware that the outcome of his mission could hinge on discretion and stealth, adding layers of suspense to the narrative as he prepares for what comes next.
