He was occupied with the forming of a pattern out of the manifold chaos of life, and the materials with which he worked seemed to make preoccupation with pigments and words very trivial. Lawson had served his turn. Philip's friendship with him had been a motive in the design he was elaborating: it was merely sentimental to ignore the fact that the painter was of no further interest to him.
In W. Somerset Maugham's "Of Human Bondage," the protagonist reflects on the complexity of life and the pursuit of creating meaning from chaos. He acknowledges that the artistic materials he has been involved with, such as pigments and words, feel insignificant in the face of larger existential concerns. This realization marks a shift in his perspective, indicating a deeper engagement with the essence of life beyond mere artistic expression.
Moreover, the protagonist's relationship with Lawson, a painter, seems to have reached its conclusion. Initially serving as an inspiration for his creative endeavor, Lawson no longer holds significance in the protagonist's life. This sentiment of detachment highlights the evolving nature of relationships and the protagonist's growth, as he confronts the reality that he has moved beyond what once emotionally connected him to Lawson.
