His leaf-gold tresses on end, his eyes in baskets from the long night without sleep, Phelim O'LiamRoe smacked his two fists together and cursed. The Queen Dowager, hardly aware of him, had turned her erect body to the window, followed by Margaret Erskine's wide eyes. But Michel Hérisson, who had arrived so unexpectedly on the Irishman's heels, ran his hacked and gouty hands through the wild white hair and said through his teeth, 'Liam aboo, son, Liam aboo! My Gaelic's all out in holes, the way my arse is ridden out through my breeches; but if you are saying what I hope you are saying, Liam aboo, my son, Liam aboo!
by Dorothy Dunnett
(0 Reviews)

In this scene, Phelim O'LiamRoe is visibly exhausted, with disheveled hair and tired eyes, as he angrily slams his fists and curses. The Queen Dowager remains mostly unaware of him, turning her attention to the window, while Margaret Erskine observes the situation with wide eyes. Michel Hérisson arrives unexpectedly, showing signs of fatigue and illness, and attempts to comfort Liam O’LiamRoe with familiar and affectionate words, despite his own state of weariness.

Michel’s informal, heartfelt greeting, “Liam aboo, son, Liam aboo!” reveals a close relationship and a moment of concern and camaraderie amid the tense atmosphere. His humorous and rough language highlights his own hardships and the familiarity shared among these characters, suggesting a scene filled with emotional undercurrents, urgency, and personal bonds amid political or regal tensions.

Stats

Categories
Votes
0
Page views
4
Update
May 18, 2025

Rate the Quote

Add Comment & Review

User Reviews

Based on 0 reviews
5 Star
0
4 Star
0
3 Star
0
2 Star
0
1 Star
0
Add Comment & Review
We'll never share your email with anyone else.
More »

Other quotes in Queens' Play

More »

Other quotes in book quote

More »

Popular quotes

Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
by Mitch Albom
All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
by Alexander McCall Smith
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie's age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
by Alexander McCall Smith
In fact, none of us knows how he ever managed to get his LLB in the first place. Maybe they're putting law degrees in cornflakes boxes these days.
by Alexander McCall Smith
Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
by Mitch Albom
Small towns are like metronomes; with the slightest flick, the beat changes.
by Mitch Albom
You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
by Mitch Albom
we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
by Mitch Albom
But an ink brush, she thinks, is a skeleton key for a prisoner's mind.
by David Mitchell
Where there's bluster, thinks Luisa, there's duplicity
by David Mitchell