I am Myra Breckinridge whom no man will ever possess. Clad only in garter belt and one dress shield, I held off the entire elite of the Trobriand Islanders, a race who possess no words for why or because. Wielding a stone axe, I broke the arms, the limbs, the balls of their finest warriors, my beauty blinding them, as it does all men, unmanning them in the way that King Kong was reduced to mere simian whimper by beauteous Fay Wray whom I resemble left three-quarter profile if the key light is no more than five feet high during the close shot.
Myra Breckinridge presents herself as an indomitable figure, evoking the strength and resilience that no man can claim. She describes herself in minimal attire, armed with a stone axe, challenging and overcoming the elite warriors of the Trobriand Islanders, a culture that lacks comprehension of certain existential concepts. Her beauty serves as both a weapon and a distraction, showcasing her formidable femininity, as she effortlessly conquers those who face her.
This passage highlights the intersection of power and allure, drawing parallels between Myra and iconic female figures like Fay Wray. The imagery of Myra's actions illustrates her dominance and the impact of her beauty, which can both empower and disarm. In this mix of strength and seduction, Vidal crafts a complex character who defies conventional expectations and challenges gender norms, suggesting that true influence can stem from charisma as much as from physical prowess.
