I get furious at stairways, furious at doors, atwalls, furious at everyday life which interferes with the continuity ofecstasy.
Anaïs Nin, in her book "House of Incest," expresses deep frustration with the mundane obstacles of life. She conveys a sense of fury directed at everyday objects and structures, such as stairways, doors, and walls, which she feels disrupt her moments of euphoria. This anger highlights her longing for a continuous experience of ecstasy, suggesting that the challenges of reality impede her emotional and spiritual aspirations.
This sentiment reflects a broader theme of seeking freedom from the constraints of the material world. Nin's powerful imagery illustrates her struggle to reconcile the transcendent feelings she desires with the tangible, often frustrating, aspects of daily existence. Her words evoke a sense of yearning for unbroken joy, emphasizing the tension between the remarkable and the ordinary in life.
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