Ignore that nightmare in the bathroom. Just another ugly refugee from the Love Generation, some doom-struck gimp who couldn't handle the pressure. My attorney has never been able to accept the notion-often espoused by reformed drug abusers and especially popular among those on probation-that you can get a lot higher without drugs than with them. And neither have I, for that matter.
The narrator dismisses a troubling encounter in the bathroom as a reflection of a lost generation, emphasizing a sense of disdain for those unable to cope with life's challenges. This moment highlights the chaos and surrealism often depicted in Thompson's work. It seems to capture the alienation and failure of the 1960s counterculture, portrayed through a character struggling with the aftermath of addiction.
The narrator's attorney and he both reject the idea that a natural high can surpass the experience of drug use. This skepticism points to a broader commentary on the allure and dangers of substance use, revealing a conflict between the search for enlightenment and the harsh realities of addiction. Ultimately, it suggests a deep introspection about the escapism drugs provide, contrasting it with the sobering truth of their consequences.