In her opinion her singing falls on deaf ears anyway; there is no lack of enthusiasm and applause, but she has long since given up hope of genuine understanding as she conceives it.
In "Josephine the Singer, or the Mouse Folk," Kafka explores the theme of alienation through Josephine's experiences as a performer. Despite receiving applause and enthusiasm from her audience, she feels that her art is not truly appreciated or understood. This disconnect highlights her sense of futility and disappointment, as she realizes that her vocal expression does not resonate on a deeper level with her listeners.
Josephine's resignation reflects a broader commentary on the nature of artistic expression and the challenges of communication. She acknowledges that her singing falls on deaf ears, suggesting a pervasive lack of genuine connection. This sentiment speaks to the frustrations many artists face when their work is celebrated superficially yet fails to evoke meaningful understanding or engagement, leaving them feeling isolated in their creative journeys.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
