In the morning, when the nothing vase casts a something shadow, like the memory of someone you've lost, what can you say about that?
In Jonathan Safran Foer's "Extremely Loud and Incredibly Close," the imagery of a "nothing vase" casting a "something shadow" evokes a profound sense of loss and memory. The morning light brings to life the absence of a loved one, symbolized by the shadow that lingers even in emptiness. This juxtaposition highlights how memories can shape our perception of what is missing, transforming an ordinary object into a vessel of reflection and sorrow.
The quote encourages readers to contemplate the complexities of grief. It suggests that even in the absence of a person, their memory can leave a significant impact, much like a shadow that hints at what once was. The author invites us to grapple with our feelings around loss and how it can manifest in unexpected ways, prompting a deep emotional response as we navigate our memories and the void they create.
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