It had made her think of the moral flavour of music. Could music really have a moral quality in itself, or was it given this by the circumstances in which it was played - and by the reasons behind its performance. Music could be pressed into military service: a triumphal march would be good if played by the right side, and wrong if played by those in the wrong.
The author explores the philosophical question of whether music possesses inherent moral qualities or if its moral implications arise from the context and intent behind its performance. This invites readers to consider how music functions within various settings and the motivations of those who create or listen to it.
For instance, a piece like a triumphal march can be perceived differently depending on the side that uses it. When played by a rightful force, it resonates positively, whereas the same music can evoke negative emotions if associated with an unjust cause. This highlights the complex relationship between music, morality, and the social circumstances surrounding its use.
