Nathan had a peculiar way of referring to all non-Jewish women, as he labeled them all as "Maria." This choice of name reflects a simplified view that reduces individuals to a single identity, stripping away their uniqueness. It also highlights Nathan's complex attitudes toward cultural and personal relationships, suggesting a blend of familiarity and otherness.

This manner of generalization may seem absurd, yet it illustrates deeper themes in Philip Roth's "The Counterlife." Nathan's use of the name exemplifies his struggles with identity and belonging, revealing how cultural perceptions shape interpersonal dynamics. Through this character's lens, Roth critiques the complexities of love, identity, and the societal constructs surrounding them.