Perhaps in the world's destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.
In Cormac McCarthy's novel "The Road," the destruction of the world serves as a backdrop for contemplation on existence and creation. The imagery of oceans and mountains highlights the profound changes in nature as it begins to fade away. This decline offers a unique perspective on the processes that shaped the world, inviting reflection on its origins.
The phrase captures a haunting stillness, emphasizing the loss and emptiness that accompanies this barren landscape. As life diminishes, a stark reality emerges, prompting deep questions about the cycle of life and death. The depiction of a cold, lifeless world evokes a sense of inevitability in the face of destruction, revealing the fragility of existence.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
