In Norman Mailer's "St. George and the Godfather," the author suggests that true art transcends the base feelings of envy that it can sometimes provoke. Rather than inciting jealousy or competition, the best art evokes admiration and a profound appreciation for its beauty and creativity. This idea challenges the common perception of art as a source of rivalry among artists and observers alike.

By proposing that great art avoids stirring feelings of envy, Mailer emphasizes the idea that authentic artistic expression connects with viewers on a deeper level. It provides a shared experience that fosters unity and contemplation rather than division and resentment. This perspective invites a reevaluation of how we interpret and value artistic achievement in society.