In Cormac McCarthy's "Meridian of Blood," a character expresses a deep skepticism about traditional religious practices. Instead of attending church and worshiping in a conventional way, the character questions the efficacy of praying to God through rituals, referring to religious icons as "dolls." This illustrates a disconnect from organized religion and a preference for personal expression and direct communication. The dialogue reflects a broader theme of existential contemplation, where the character seeks to challenge societal norms surrounding faith and spirituality. By prioritizing direct expression over conventional worship, the narrative delves into the complexity of belief, questioning whether traditional practices serve any real purpose in confronting the harsh realities of life.

In Cormac McCarthy's "Meridian of Blood," a character expresses a deep skepticism about traditional religious practices. Instead of attending church and worshiping in a conventional way, the character questions the efficacy of praying to God through rituals, referring to religious icons as "dolls." This illustrates a disconnect from organized religion and a preference for personal expression and direct communication.

The dialogue reflects a broader theme of existential contemplation, where the character seeks to challenge societal norms surrounding faith and spirituality. By prioritizing direct expression over conventional worship, the narrative delves into the complexity of belief, questioning whether traditional practices serve any real purpose in confronting the harsh realities of life.