That's another thing that pisses me off about that Michelangelo statue of me in Florence. He's got me standing there uncircumcised! Who the fuck did he think I was?
In the book "God Knows" by Joseph Heller, the narrator expresses frustration over Michelangelo's famous statue of David, specifically regarding its depiction of him as uncircumcised. This comment reflects a deeper sense of indignation about how historical figures are portrayed and the misconceptions that arise from artistic interpretations. The narrator's exasperation highlights a disconnect between his identity and the way he is represented in art.
This statement serves not only as a humorous critique but also as commentary on the importance of authenticity in representation. The narrator's use of coarse language underscores his annoyance and emphasizes the absurdity of being misrepresented in such an iconic manner. Through this lens, Heller explores themes of identity and the lasting impact of cultural legacies, prompting readers to reconsider what we accept as truth in art and history.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
