The hair compromise he finally agreed to is a white strip on the left side – geriatric punk, he'd whispered to himself – with, recently, the addition of an arresting scarlet patch. The total image is that of an alarmed skunk trapped in the floodlights after an encounter with a ketchup bottle.
In Margaret Atwood's "Stone Mattress: Nine Tales," the protagonist reaches a decision regarding his hairstyle, opting for a distinctive white stripe on the left side of his hair. Despite his internal commentary labeling this choice as "geriatric punk," he soon enhances the look with a vibrant scarlet patch, creating a striking and unconventional appearance.
This combination results in a humorous visual description, likening him to a startled skunk illuminated by bright lights, suggesting the quirky nature of his self-expression and perhaps a critique of societal norms surrounding aging and individuality.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
