The only thing to see is the obligatory third-world Coke billboard, ironic in exact proportion to the distance from its proper American context. This one says COKE-MAKE IT REAL. Just after the Coke sign there is a contrary sign, an indication that irony is not a currency in Liberia. It is worn by a girl who leans against the exit in a T-shirt that says THE TRUTH MUST BE TOLD.

The only thing to see is the obligatory third-world Coke billboard, ironic in exact proportion to the distance from its proper American context. This one says COKE-MAKE IT REAL. Just after the Coke sign there is a contrary sign, an indication that irony is not a currency in Liberia. It is worn by a girl who leans against the exit in a T-shirt that says THE TRUTH MUST BE TOLD.

📖 Zadie Smith

🌍 British  |  👨‍💼 Novelist

(0 Reviews)

[The quote captures a layered commentary on global consumerism, cultural irony, and the contrast between signs and reality. The 'obligatory third-world Coke billboard' symbolizes the pervasive reach of Western branding, which often appears in contexts that strip it of its original meaning or prestige. The phrase 'ironic in exact proportion to the distance from its proper American context' underscores how the sign’s significance diminishes or becomes distorted when placed outside its native environment, highlighting the global spectacle of branding that transcends cultures.

The billboard's message, 'COKE-MAKE IT REAL,' presents an almost humorous appeal—encouraging authenticity while being part of a manufactured landscape. The subsequent sign, which contradicts the first and suggests that irony is not appreciated in Liberia, hints at the varied perceptions of such symbols; irony, often considered a sophisticated or subtle form of commentary, might not be effectively understood or valued in different cultural contexts.

Furthermore, the girl wearing a T-shirt that proclaims, 'THE TRUTH MUST BE TOLD,' adds a poignant touch to this visual narrative. Her presence and attire seem to demand sincerity in a setting riddled with manufactured images and conflicting messages. This layered scene raises questions about authenticity, cultural exchange, and the spread of Western commercial culture into different parts of the world, often without considering local perceptions.

Overall, the quote prompts a reflection on how global symbols and advertising serve as both connectors and завязывательщикоными точками worlds apart in meaning and reception. It challenges us to consider whether truth and authenticity can truly be communicated across cultures, or if signs merely become the stage for irony and dissonance, highlighting the complex, often contradictory, relationships between global commerce and local realities.---Zadie Smith---

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July 26, 2025

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