The unicorns, led by costumed grooms, were behaving well about their horns, and the painted rhapsodies all round the cart were more than flattering while the pseudo-king, sceptred in ermine, was positively handsome, as well as resembling the real one quite a lot. The small boy acting as the Dauphin, was obviously his son. It was easy to guess that the angel and the other three children, demure on tasselled cushions, were also related. Reminded by the red heads before her, the Queen Dowager spoke absently to Margaret Erskine. 'I must tell your mother to destroy that marmoset. Mary teases it, and it bites.
The scene describes a lively and fantastical procession involving unicorns, costumed grooms, and intricately painted decorations, creating a whimsical and festive atmosphere. A pseudo-king, dressed in ermine and wearing a sceptre, is portrayed as quite handsome and bears a resemblance to a real monarch. The atmosphere suggests a ceremony or celebration with a sense of grandeur and playful elegance.
The scene also hints at family connections, as a small boy acting as the Dauphin appears to be the king’s son, and other children seated on cushions are likely related as well. The Queen Dowager, noticing a teasing marmoset causing trouble, considers instructing Margaret Erskine to have it destroyed, indicating her concern for proper decorum amid the festivities.
