Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.
In the garden described by Serena, the irises stand tall and striking, resembling delicate glass sculptures in shades of blue and mauve. Their beauty is further highlighted by the deeper purple shades, evoking imagery of soft velvet. Accompanying them are the bleeding hearts, which have a feminine shape, suggesting an underlying tension related to their presence in the garden. This contrast emphasizes the potential for beauty intertwined with elements of surprise and resistance.
The garden serves as a reflection of subversion, harboring hidden truths that seek to emerge into the light. The imagery of silenced voices rising showcases the idea that even when oppressed, the desire to be recognized remains strong. It suggests a profound commentary on the nature of suppressed emotions and experiences, indicating that what is ignored or silenced will inevitably demand attention, quietly yet insistently.
