They appeared very corrupt and very depraved, no doubt, very vile, very odious even; but those who fall without becoming degraded are rare; besides, there is a point where the unfortunate and the infamous unite and are confounded in a single word, a fatal word, the miserable; whose fault is this? And then should not the charity be all the more profound, in proportion as the fall is great?
In Victor Hugo's "Les Misérables," the depiction of society reveals that individuals who face moral failures often become perceived as corrupt and infamous. However, the author suggests that while many may fall into depravity, it is uncommon for one to do so without losing their dignity. This loss of virtue leads to the blending of the unfortunate with the infamous, encapsulated in the term 'miserable' which reflects their shared plight.
Hugo questions who is truly to blame for this misfortune and highlights the need for deeper compassion towards those who have faced great falls in life. He argues that the more significant the descent from grace, the greater the demand for charity and understanding. This perspective challenges readers to reconsider their judgments and respond with empathy towards those deemed corrupt or depraved.
