In "Eleanor Oliphant Is Completely Fine," author Gail Honeyman raises a thought-provoking question about the societal shift regarding public singing. The narrator wonders when singing became a source of embarrassment for people, pondering whether this change is linked to the decreasing attendance at churches, which traditionally valued communal singing. Interestingly, despite the decline in public singing, contemporary television shows thrive on singing competitions, where even the less skilled participants confidently showcase their talents. This contrast highlights a complex relationship between cultural expectations and personal expression, suggesting that while some may feel shy about singing in public, others readily embrace the opportunity for a spotlight.