When Rosencrantz asks Hamlet, "Good my lord, what is your cause of distemper? You do surely bar the door upon your own liberty, if you deny your grief to your friends"{III, ii, 844-846}, Hamlet responds, "Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me." {III,ii, 371-380}
In this exchange between Rosencrantz and Hamlet, the former inquires about Hamlet's melancholic state, suggesting that by hiding his feelings, he restricts his own freedom. Hamlet, feeling deeply offended, perceives Rosencrantz's inquiry as an attempt to manipulate him, asserting that he is not merely an instrument to be played with. He emphasizes his complexity and individuality, stating that while others may try to provoke certain responses from him, they cannot truly control or understand him.
Hamlet's response reflects his inner turmoil and highlights the theme of manipulation and authenticity in relationships. He rejects the notion that his emotions can be easily used or interpreted by others, asserting his desire for personal autonomy and the depth of his character. This moment illustrates the struggle between self-expression and the desire for privacy, encapsulating Hamlet's broader conflicts throughout the play.
