In Samuel Beckett's works "Krapp's Last Tape" and "Embers," the imagery evokes a sense of desolation and internal conflict. The phrase "White world, great trouble" suggests a bleak landscape, both physically and emotionally, where silence dominates. The setting is characterized by the remnants of life, symbolized by "embers," which represent fading memories and the remnants of past experiences. The recurring sound of death, highlighted by "the sound of dying" and "dying glow," underlines a profound sense of loss and introspection in Beckett's characters. This portrayal speaks to the universal human condition of grappling with memories and the passage of time, as individuals reflect on their lives amidst a stark and unyielding reality.

In Samuel Beckett's works "Krapp's Last Tape" and "Embers," the imagery evokes a sense of desolation and internal conflict. The phrase "White world, great trouble" suggests a bleak landscape, both physically and emotionally, where silence dominates. The setting is characterized by the remnants of life, symbolized by "embers," which represent fading memories and the remnants of past experiences.

The recurring sound of death, highlighted by "the sound of dying" and "dying glow," underlines a profound sense of loss and introspection in Beckett's characters. This portrayal speaks to the universal human condition of grappling with memories and the passage of time, as individuals reflect on their lives amidst a stark and unyielding reality.