And it still removes one inside and tarnished his eyes to see in the photos and old documentaries of the liberation of Paris, when the armored cars allied through the streets pass, applauded and kissed by French and French, to a lot of low, brown and smiling guys, cleared of uniform and always with a half -smoking pit in the mouth, and read with amaze indestructible painted on steel to baptize their tanks: Guernica, Guadalajara, Brunete, Don Quijote or Spain Cañí.
The narrator reflects on the emotional impact of seeing archival footage and photographs from the liberation of Paris, where Allied armored vehicles rolled through the streets, met with cheers and affection from the French populace. The scene is marked by an atmosphere of celebration and relief, showcasing a diverse group of people who, despite the tumult of war, exhibit joy and camaraderie. This imagery evokes a sense of nostalgia for a time of unity and liberation.
The armored vehicles are adorned with names like Guernica, Guadalajara, and Don Quijote, highlighting the deep connection to Spain and its history. These names symbolize the struggles and the rich cultural legacy of the Spanish people, reminding viewers of both the pain of past conflicts and the enduring spirit of resilience. The juxtaposition of the smiling faces and the memories of war prompts a complex reflection on the nature of liberation and the scars left behind by the fight for freedom.
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