You like this stuff?' she asked neutrally. 'Good to dance to,' I replied, a little defensively. 'Do you dance to it? Here? In your room? By yourself?' 'No, not really.' Though of course I did.
The character reflects on a conversation about music, revealing a sense of defensiveness when questioned about his enjoyment of it. He initially downplays his connection to the music, suggesting it's good for dancing, yet he is hesitant to admit he dances alone in his room. This exchange highlights a common struggle with vulnerability and self-expression, particularly when it comes to personal interests that might seem trivial or awkward to others.
The protagonist's internal conflict illustrates the tension between how we present ourselves to the outside world and the private joys we embrace. While he appears nonchalant in his reply, his admission suggests an underlying acknowledgment of the comfort and freedom that music and dance provide, even when experienced in solitude.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
