I think back to those days after the Bastille fell, the Mercure Nationale run from the back of the shop, that little Louise sticking her well-bred nose in the air and flouncing off to bawl out their printer-and you know, he was a good lad, François. I'd say, 'Go and do this, this, this, go and tie some bricks to your boots and jump in the Seine,' and he'd- Danton touched an imaginary forelock-'right away, Georges-Jacques, and do you need any shopping while I'm out?' Jesus, what a way to end up. When you see him, tell him I'd be obliged if he forgets he knows me.
by Hilary Mantel
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In the narrative, the speaker reminisces about the tumultuous days following the fall of the Bastille, highlighting a sense of nostalgia mixed with regret. The mention of the Mercure Nationale, run from a shop, signifies the chaotic yet spirited environment of revolutionary Paris. The character Louise is depicted as somewhat haughty, while François, the printer, is portrayed as an obedient worker who humorously accommodates the speaker's demands, reflecting the camaraderie and challenges faced during this period.

The speaker expresses a profound sense of loss and disillusionment, contrasting the vibrant revolutionary spirit with the somber reality of their present situation. The anecdote serves to illustrate the bonds forged amid societal upheaval, as well as the eventual fallout from those intense times. The request to François to forget their acquaintance underscores a poignant desire to distance themselves from a past that is both cherished and burdensome.

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