In his work "Speak, Memory," Vladimir Nabokov expresses a rather critical perspective on music. He describes his experience with music as one that primarily induces irritation, portraying it as an arbitrary series of sounds rather than a source of enjoyment. While he acknowledges that certain emotional states can allow him to appreciate the sound of a violin, he finds other instruments, particularly the piano and wind instruments, either tedious in small quantities or overwhelming in larger doses.

Nabokov’s reflections reveal a deep personal disconnection from the world of music, highlighting his specific tastes and emotional responses. His commentary illustrates the complex interplay between emotional states and the perception of art, suggesting that, for him, music does not resonate positively, but rather serves as a source of discomfort. This perspective adds depth to our understanding of his artistic sensibilities and personal experiences.