There was no reason to do anything. My eyes, like Winckelmann, improperly said of the Greek statues, were without gaze, fixed to eternity, aimed at the ultimate goal, and when things are thus there is no reason to do anything, not even to adjust the fire of their eyes. Which is perhaps the reason why the statues are stopped. I was struck by the "cosmopsis" disease, the cosmic view. When one has this disease he stiffens like the frog when the hunter's light strikes it in the eyes; Except that with Cosmopsis there is neither hunter nor a quick hand that puts an end at the moment - there is only the light.
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The narrator reflects on a profound sense of inertia, evoking the stillness of Greek statues that seem to exist outside time. This state of being, devoid of action and purpose, produces a feeling akin to a cosmic view, where the pursuit of any goal feels unnecessary. The comparison to the gaze of statues underscores a detachment from worldly concerns, suggesting that when one is fixated on eternity, movement and initiative lose their meaning.

This condition, termed "cosmopsis," likens the person to a paralyzed frog caught in the beam of a hunter's light, suggesting a fear or awareness that immobilizes. However, in this scenario, there is no external threat, just the overwhelming presence of light, symbolizing clarity or insight that halts action. Thus, the narrative conveys a deeper reflection on existential realization, exploring how awareness can lead to a halt in striving and engagement with the world.

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April 11, 2025

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