Yossarian se movió muy profundamente por la absoluta simplicidad de esta cláusula de Catch-22 y dejó escapar un silbato respetuoso. "Esa es una trampa, esa captura-22", observó ". Hubo una precisión elíptica sobre sus pares perfectas de partes que era elegante e impactante, como el buen arte moderno, y a veces Yossarian no estaba muy seguro de que lo viera en absoluto, tal como nunca estaba muy seguro sobre el buen arte moderno o sobre las moscas que vieron a los ojos de Appleby. Tenía la palabra de Orr para tomar los ojos de Appleby.

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(Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.'That's some catch, that Catch-22,' he observed.'It's the best there is,' Doc Daneeka agreed.Yossarian saw it clearly in all its spinning reasonableness. There was an elliptical precision about its perfect pairs of parts that was graceful and shocking, like good modern art, and at times Yossarian wasn't quite sure he saw it at all, just the way he was never quite sure about good modern art or about the flies Orr saw in Appleby's eyes. he had Orr's word to take for Appleby's eyes.)