从那个遥远的时代开始，他开始了宗教和性的实验
他一方面祈祷，然后加入新娘和新郎的游戏
他的母亲因他的宗教信仰而放心，并不怀疑他的荒谬
萨迪克·萨夫万（Sadiq Safwan）问他
(From that distant era, he began his experiments with religion and sex He prays on one hand, and joins in the game of bride and groom on the other His mother is reassured by his religiosity and does not suspect his absurdity Sadiq Safwan asks him)
(From that distant era, he began his experiments with religion and sex He prays on one hand, and joins in the game of bride and groom on the other His mother is reassured by his religiosity and does not suspect his absurdity Sadiq Safwan asks him)
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在纳吉布·马哈法兹（Naguib Mahfouz）的叙述中，我们目睹了一个角色，导致信仰和欲望的复杂性。他从事宗教习俗，维持双重生活，他还参加了与浪漫主义有关的社会仪式，例如新娘和新郎的游戏。这种并置突出了他面临的内部冲突，平衡宗教奉献与人类的本能。
同时，他的母亲仍然忽略了他的矛盾，在明显的宗教信仰中找到了安慰。这种动态强调了感知的主题，信仰的外在表达可以更深入，更荒谬的现实。 Sadiq Safwan的询问进一步加深了对这些主题的探索，质疑角色经验的真实性和含义。
