我曾经并且仍然发现作为一个并不无聊的年轻女子谈论它。这导致我绕开了他的大房子,所以我可以赢得他的看法,但无济于事。我在他巨大的门Arno面前站在综合木乃伊鳄鱼的前面,我坐在距离大镜头不远的Mokattam沙漠中,所以我只看到浆果的头,八卦和棕榈树的头在屋子里裹着的窗户,以及封闭的窗户,没有任何生命的痕迹。我们有一个祖父没有看到或见到我们的祖父,这并不难过吗?他在这座封闭的大房子里消失并生活在泥土中并不奇怪吗?


(And I was and still find talking about it as a young woman who is not boring. And how much that led me to circumambulate his big house, so I can win a look at him, but to no avail. And how much I stood in front of his huge door, Arno, to the composite mummified crocodile, and how much I sat in the desert of Mokattam not far from its great surah, so I only see the heads of berries, gossip and palm trees that are shrouded in the house, and closed windows that do not develop any trace of life. Is it not sad that we have a grandfather such a grandfather without seeing it or seeing us? Is it not strange for him to disappear in this closed big house and to live in the dirt?!)

📖 Naguib Mahfouz


🎂 December 11, 1911  –  ⚰️ August 30, 2006
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演讲者反思了试图瞥见一个难以捉摸的男人的孤独和渴望,经常盘旋他的大房子,希望有联系。这种追求导致了绝望的感觉,因为她回想起那台被木乃伊的鳄鱼装饰在雄伟的门前,坐在附近的沙漠中,周围环绕着毫无生气的风景。封闭的窗户和生活的缺席营造了一种悲伤和渴望的氛围​​。

她的思想转向了一个祖父,他的想法是一个孤立生活的祖父。这就提出了有关他们关系的性质以及持续存在的断开连接的问题,强调了让家人在身体上却在情感上遥不可及的陌生感。这些图像唤起了一种损失感和对认可的向往,但仍然无法实现。

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