Bernard Berenson was a prominent art historian known for his expertise in Renaissance art, specifically master painters like Raphael, Michelangelo, and Titian. His career spanned much of the 20th century, during which he developed a unique approach to art criticism that emphasized personal judgment and appreciation over strict academic methods. Berenson wrote extensively, and his works contributed significantly to the understanding and appreciation of Italian Renaissance art, making him a central figure in art history. Born in 1865 in Lithuania, Berenson later moved to the United States, where he gained recognition for his art expertise. He became an influential advisor and collector, often helping to shape the collections of major museums and private collectors. His assessments of artworks were highly regarded, and he often used connoisseurship to determine authenticity and value, setting the standards for future generations of art historians. In addition to his scholarly work, Berenson's life was steeped in relations with artists, collectors, and intellectuals, leading to a vibrant personal and social life. His villa in Tuscany became a hub for artistic and intellectual gatherings. Unfortunately, Berenson's legacy is sometimes complicated by his views on the role of art in society, which have sparked discussion among critics and scholars. Nevertheless, his impact on art history remains profound, as he helped to elevate the field and foster a deeper appreciation for the masterpieces of the Renaissance.